This comparison is clearly obvious in the opening epigraph . Ben Jelloun s swank in fact depicts the ways in which the agonist , Ahmed /Zahra , experiences this projection , all the while betraying and negotiating identity element . The author makes the protagonist die the mask of man rather effectively until a term of life events and existential self-examination after which his /her opinionated identity starts crumblingThe take changes its course after Fatima s death and the disappearance of the teller that was forced away by the transformation and modernisation of the countrified . The remainder of the journal has been gone , but some(a) raft of the crowd that listened to the trading floorteller continue to meet and appoint their ideas almost how they see the tarradiddle ending . Each of them evince the archetyp e more or less Mohammed Ahmed s transition rear to womanhood , where she is supposed to imitate the identity of Zahra .
There stories boast diverse endings , some contented others sad , until a dim troubadour carries on the tosh up to Mohammed Ahmed /Zahara s death , this story-teller allow the story run into the resign without a resolution and it is for a reader to decide about the end of the story . If both of you really wants to k straight off how this story ended , he leave alone have to ask the stargaze when it is full . I now lay before you the book , the inkwell , and the pens (Ben Jelloun , Tahar , 81The mixture of laughable heroes and a surrealistic communicatory co nstruction sometimes set forth as romantic ! realism has made a story an extraordinary and somehow bootless . theless , his novels continue to embrace the maintenance of the Western scholarly and literary communities garnering him numerous awardsThe story is told by a wandering narrator , who reveals his story , word by word , to an enthusiastic , though sometimes sceptical...If you want to micturate a full essay, govern it on our website: OrderEssay.net
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